Wednesday, May 13, 2020

About The Witch Trials In The Crucible - Free Essay Example

Sample details Pages: 3 Words: 920 Downloads: 7 Date added: 2019/06/10 Category Literature Essay Level High school Tags: The Crucible Essay Did you like this example? How do the witch trials empower individuals who were previously powerless? The witch trials gave people power over people that they wouldn’t have had any legal or ethical way. The witch trails propped up flawed, generally not good people, and that’s who was accusing people most of the time. In this essay we will look at people who the witch trails elevated to previously intangible heights of power, popularity, and respect and to finish I will talk about some examples of modern witch-hunts that are happening today or recently. My family used to have this thing called â€Å"Bella’s the boss† where she would choose what pizza we had, what shows and movies we watched, and the music we listened to in the car (what parents do to keep the youngest one part of the group, am I right?) and when we’d say â€Å"But Dad, this show is better†, he’d say â€Å"Bella’s the boss. Needless to say when she got old enough, and the power was stripped away, it led to many heated discussions by 4-year-old Bella. This is simi lar to what happened in the crucible, as you’ll see if you continue reading this essay. Don’t waste time! Our writers will create an original "About The Witch Trials In The Crucible" essay for you Create order Parris is a hypocrite. He is a crooked leader of the local church in the village, and at one point lots of people would come and listen to him talk about the fiery pits of hell, and after a while people stopped showing up because they don’t need that kind of negativity in their life, but to himself he’s infallible, so the only natural reason people weren’t showing up was because the devil was leading them astray, when in reality, they’re sick and tired of hearing that shrew of a man preach about damnation and eternal suffering. The witch trials elevated him to a new level. He was seen almost as a savior A deliverer from evil if you will. He was part of the holy court. This position of power elevated him to a position to get back at people who were talking bad about him behind his back by him accusing them of dealings with the devil, and subsequently ending their lives. He would not have had that opportunity otherwise. Abigail Williams was a maid pretty much before these events, and some might argue the whole thing was to win back the recognition of John Proctor, the man she feels is her true love or whatever. She had no say in almost anything (or respect), but once she started saying that she could see things and people started believing her, there was no going back. People thought of her as a diviner, and the opinion of the people in her village changed strikingly. She was zero to hero, in a society where at one point women didn’t have much roles in a society. She was power crazy, seeing how she didn’t do much to earn that power in the first place, and that led to the events of the rest of the book. She used to be powerless, and then over the course of almost a week, she became almost a deity. If you thought witch hunts were a thing of the past, you thought wrong. There have been quite a few â€Å"witch hunts† in recent years. The red scare was against communism, the persecution of republicans and supporters of Donald Trump, and the #metoo movement (not saying this is bad necessarily, but if you stick around I’ll explain). These events have empowered people who would not have been so â€Å"infamous† had this not come about. Look at former Senator Joseph McCarthy. He probably wouldn’t have gone down in history as anything more than a senator had he not done the infamous McCarthy legislation, thereby attaching his name to a permanent piece of American history. People who persecute republicans and supporters of the republican party (or vice versa) are kind of giving themselves power over people, because they think that they are better than them in a way, and that they have a reason to persecute them, and the me to accusers are empowered because a s ingle allegation could ruin someone’s career. I’m not saying that their stories aren’t credible I’m just saying that not all of them are true. Sometimes I’m sure it becomes kind of a â€Å"if we don’t believe them, we will be seen as sexist† or vice versa. there are documented examples of women completely fabricating allegations just to screw people over and ruin their lives (see https://www.washingtonpost.com/news/worldviews/wp/2018/03/29/a-woman-says-she-was-raped-by-3-rugby-players-the-jury-disagreed/?utm_term=.f6b65c94fc7e by Amanda Erickson) and that can undoubtedly give people a sense of power, especially if they can dethrone someone rich and powerful (as is the case with Harvey Weinstein [which turned out to be true, which is good because then he deserved it]) or a CEO of a company or whatever. Sometimes they don’t investigate, and are often times guilty until proven innocent, leaving the once powerful at the mercy of the court of public opinion. The witch trials have empowered people who were otherwise powerless. They gave them say in legal places and things they normally wouldn’t have had in the first place, and they abused that newfound power to get back at all those who had wronged them in the past, and because of that, many innocents lost their lives or careers.

Wednesday, May 6, 2020

You Suck A Love Story Chapter 29~30 Free Essays

Chapter Twenty-nine Don’t You Hate Running into Your Ex? As soon as she unlocked the new loft’s security door from the street, Jody smelled blood, burned flesh, and shampoo. A case of the willies that felt like an electric serpent slithered up her spine. She went up the stairs, light on the balls of her feet, ready. We will write a custom essay sample on You Suck: A Love Story Chapter 29~30 or any similar topic only for you Order Now She heard every tick in the apartment, the refrigerator motor, floorboards shifting, the huge cat Chet snoring in the bedroom, and, of course, someone breathing. The lights were off. He was sitting in a canvas sling-back chair, barefoot, in a pair of Tommy’s jeans and a T-shirt, drying his hair with a towel. Jody stopped by the kitchen. â€Å"Fledgling,† said the vampire. â€Å"I’m always pleasantly surprised when I am reminded of how lovely you are. Surprises are rare at my age.† â€Å"Must have surprised the fuck out of you to have that Honda toast you, then, huh?† She felt herself tightening down, the electric jangle channeling itself into an awareness, an edge. It wasn’t fear anymore, it was readiness. â€Å"An unpleasant one, yes. I assume your little servant is safe for now.† â€Å"Well, you know, she was winded for a few minutes from kicking your ass, but she is just a little girl.† The vampire laughed, and Jody couldn’t help but smile. She went to the windows at the front of the loft and opened them. â€Å"Smells like burned meat in here.† â€Å"She’ll have to go, you know,† said the vampire, still smiling. â€Å"No, she won’t,† Jody turned on her heel. Faced him. â€Å"Of course she will. All of them but you. I’m quite tired of being alone, little one. You can come away with me, just as we planned.† Jody was stunned at his density. â€Å"I was lying to you, Elijah. I never intended to go away with you. I was just pretending to find out how to be a vampire.† â€Å"What were you going to do the next night, then – if your pet hadn’t bronzed us, I mean?† â€Å"I thought I’d send you away.† â€Å"No you didn’t.† â€Å"I thought I’d let the Animals kill you, like they were going to anyway.† â€Å"No you didn’t.† â€Å"I don’t know.† The edge was slipping. â€Å"I don’t know.† Maybe she was going to go with him. She had felt so alone, so lost. â€Å"Ah, so here we are again. Let’s pretend like all this unpleasantness hasn’t happened, and it’s the next night, and here we are, just the two of us. The only ones of our kind. What will you do, Jody?† â€Å"But we aren’t the only ones of our kind.† â€Å"We are the only ones you need worry about. You do know that you are the first new vampire in a hundred years?† Jody tried not to show her surprise. â€Å"How lucky for me,† she said. â€Å"Oh, you’re not the only one I’ve turned. I’ve turned many. You’re the only one who could weather the change with her mind intact. The others had to be, well, decommissioned.† â€Å"You killed them?† â€Å"Yes. But not you. Help me clean up and then we’ll leave, together.† â€Å"Clean up?† â€Å"There are certain rules, love. Rules that I set down myself, and the first of them is make no more vampires. Yet you’ve let loose a storm of fledglings, and they all have to be cleaned up, including your boy pet.† â€Å"Make no more? What about me? You made me.† â€Å"I didn’t expect you to survive, love. I thought you would be an amusement, a break in monotony, an interlude, but you distinguished yourself.† â€Å"And now you want me to run off with you.† â€Å"We’ll live like royalty. I have resources you couldn’t imagine.† â€Å"You’re wearing stolen jeans, sugar daddy.† â€Å"Well, yes, I will have to make my way to one of my caches.† â€Å"I have an idea,† Jody said, and this was really the reason she had come here, by herself, knowing that he would be here. Or at least hoping. â€Å"How about I give you enough money to get you out of town and you do that, just like we promised Rivera and Cavuto? You leave me alone, you leave Tommy alone, you just leave.† Elijah stood now, tossed the towel on the chair, and moved to her so quickly that she could barely even see him move. â€Å"Art, music, literature,† said Elijah. â€Å"Desire, passion, power – the best of man and the best of beast. Together. You would say no to that?† He put his hand on her cheek and she let him. â€Å"Love?† Jody said, looking into his eyes – they reflected like drops of mercury in her night vision. â€Å"For fairy tales. We are the stuff from which nightmares are made. Make nightmares with me.† â€Å"Wow, nice offer. Can’t imagine why you haven’t had any takers for a hundred years.† Jody grabbed his wrist. If he wouldn’t leave, she could take him. She was a vampire, too. The vampire had been smiling, but his smile changed aspect, going from pleased to predatory. â€Å"So be it, then.† His hand was at her neck in an instant, she didn’t see him move or have a chance to react. Suddenly she couldn’t move her arms or legs, and there was an intense pain behind her ear and under her jaw. She screamed, releasing a sound she couldn’t imagine coming out of a human, more like something you’d hear from a tortured cat. He clamped his other hand over her mouth. â€Å"I didn’t teach you everything in our one night together, love.† She watched helplessly as he tossed his head back and his fangs unsheathed. Troy Lee squared off against Drew at the end of the dog-food aisle, two short fighting swords in hand. â€Å"Bring it, stoner,† Troy Lee said. He spun the swords. Drew fell into a crouch by the dishwashing liquids. â€Å"I’m fast now,† Drew said. â€Å"Uh-huh,† Troy said. He whipped the swords through the air in a deadly fanning motion. He’d been training since he was a child; he wasn’t afraid, especially of Drew. â€Å"Hey,† came a woman’s voice from right beside him. Troy Lee looked over, lightning quick, just in time to register what looked like a full moon coming at his face. There was a loud clang and Troy was nearly flipped over backwards when the iron skillet hit him in the forehead. Blue let it drop to her side and grinned at Drew. â€Å"I’ve always wanted to do that.† â€Å"Housewares used to be my aisle,† Drew said. â€Å"Take him,† said Blue. â€Å"Let him drink some of your blood before he dies.† She headed toward a commotion in the can aisle. â€Å"Save some, boys. Mama’s got a broken nose that needs to heal.† Jody felt her own fangs extend and her kneecaps quiver as Elijah fed on her, but otherwise she couldn’t move. How could she have been so stupid? He was eight hundred years old – of course he hadn’t taught her everything. Of course he was stronger than she was – she was stronger than Tommy, and she had only been a vampire a couple of months longer than he had. If she could stay conscious, maybe when he stopped feeding she could make her move. Could he reduce her to dust like a human, or would he have to do something else? Stupid. Stupid. Stupid. Why didn’t she know all of this? Why wasn’t she acting on instinct? Where was the predator mind when you needed it? Her vision started to tunnel down – she was losing consciousness. She could hear rapid footsteps outside, though. First below, then across the street, then below again. Elijah heard them, too, and he loosened his grip for an instant, but before she could twist away, his fingers dug into her neck and jaw again. Then a black blur flew through the window and she heard something thud on the floor over by the kitchen. There was another loud thud and Elijah released her and she fell to the floor. She tried to push herself up, but something was thrown over her and she heard a buzzing sound. She heard screaming and smelled burning flesh, glass breaking, then someone was lifting her, carrying her. She couldn’t move or even fight anymore. She let go, let herself float away, but the last thing she heard was a girl’s voice saying, â€Å"Did you feed Chet?† The Emperor sat on the dock of the St. Francis Yacht Club, watching the fog wash over the breakwater. He’d gone against the advice of the homicide detectives and had left the grocery store. It was his city, and it was his place to take the battle to its attackers. He had cowered in fear long enough. His wickedly pointed sword lay on the dock at his side. The men, Bummer and Lazarus, were sleeping in a fuzzy pile at his back. â€Å"Ah, gentle warriors, how do we engage in battle when our enemy moves with such elegant stealth? Perhaps we should return to the Safeway and help defend.† Bummer’s left ear twitched, and he let out a muffled ruff in his sleep. A thick bank of fog was moving down from the opening in the breakwater and it caught the Emperor’s attention because it appeared to be moving across the wind from the west. Yes, it was indeed – the cold breeze was coming straight over the breakwater from the north. The fog bank bubbled thick as it moved, tendrils reached out and then were reabsorbed like the false feet of some crawling creature. The Emperor climbed to his feet and roused the men, snatched Bummer up before the sleepy terrier could get his bearings, and headed toward the clubhouse with Lazarus at his heels. He crouched in a shadow by the entrance to the restrooms, holding the hounds as he watched. The fog bank enveloped the end of the dock, paused, then dissipated as if a fan had been turned on it, and three tall figures stood on the dock, a man and two women. They wore long coats, cashmere, the Emperor thought, but he couldn’t for the life of him remember why he might know that. They moved down the dock toward him as if they were floating. The Emperor could see their outlines in the moonlight – jawlines and cheekbones that looked as if they’d been chiseled, square shoulders, and narrow hips. They might have been brother and sisters, except one of the women was of African descent, the other looked like she might be Italian or Greek. The man was a head taller than the women and looked Nordic, perhaps German, with close-cropped white hair. All were as pale as bleached bone. As they passed him the Emperor pulled the hounds closer and Bummer let out a threatening ruff. They stopped. The man turned. â€Å"How long have you been here?† he asked. â€Å"Forever, I think,† said the Emperor. The man smiled and nodded, then turned and was on his way. â€Å"I know how you feel,† he said without looking back. Gustavo and Jeff found Barry hiding in the shelves among the toilet-paper packages. When they got close, Barry burst out of the TP and made a run for the end of the aisle, pulling napkins, aluminum foil, garbage bags, and plastic silverware off the shelves as he went to slow his pursuers. Gustavo went down first, slipping on a package of plastic forks. Jeff high-stepped through the obstacles and was right on Barry’s ass until he was almost to the end of the aisle and Lash stepped out holding one of Barry’s spearguns. â€Å"Down!† Lash barked, and Barry hit the tile on his chest and slid. There was a pneumatic hiss and the heavy stainless spear thudded into Jeff’s sternum and blew him back off his feet. â€Å"Ow, goddammit,† said the power forward, clutching at the spear and trying to pull it out of his chest. Gustavo climbed to his feet, ran to Jeff, and started yanking on the spear. Lash handed Barry a four-foot-long stick with a blunt metal tip on it and fitted another spear into the gun. â€Å"That the last one?† Barry asked. Lash nodded. â€Å"Where’s Clint?† Just then the tall blond woman appeared at the far end of the aisle, dragging an unconscious Clint by his collar. A wide bloodstain ran from her chin to her crotch and they could see her fangs even from this distance. â€Å"Bad boys. Leaving your born-again lying on the floor where people can trip over him.† She dropped Clint on his face, and headed up the aisle toward them, in long, slow strides. Lash bolted, Barry right behind them, through the canvas doors into the back room, and into the walk-in dairy cooler. It was like a long hallway with plastic milk boxes stacked on one side and the glass dairy cases on the other. They pushed stacks of heavy one-gallon milk boxes in front of the door, then leaned with their backs against the back of the cooler, watching the store through the clear cooler doors in the dairy case, over the cartons of yogurt and cottage cheese. â€Å"What’s that she’s carrying?† Barry asked. â€Å"A frying pan,† Lash said. â€Å"Oh,† Barry said â€Å"Sorry I let her in. She was almost naked.† â€Å"How could you have known?† â€Å"Well, when she claimed she had a nooky-gram for my birthday, I should have figured something was up.† â€Å"Your birthday’s like in March, isn’t it?† â€Å"Yeah.† Lash slapped Barry hard once on his bare scalp, then re-aimed the speargun over the yogurts. â€Å"I deserved that,† Barry said. â€Å"Think that spear hit Jeff’s heart?† â€Å"Had to. It’s a foot through his sternum.† â€Å"He doesn’t seem dead.† â€Å"Guess that means head shot.† Barry shook his head. â€Å"You want me to try?† â€Å"Nah, if I miss, you have the bang stick.† Lash nodded at the long stick Barry was holding at port arms. Essentially it was a twelve-gauge shotgun shell on the end of a stick, used for killing sharks. You poked them with it and the shotgun shell fired into them at point-blank range. â€Å"I’ll bet she doesn’t even know what it is.† â€Å"Get it right,† Lash said. â€Å"Blow her fucking brains out.† They looked at each other as they heard the refrigeration compressors and fans wind down. Then the lights went out. â€Å"We’re fucked,† Lash said. â€Å"Yep,† Barry agreed. Chapter Thirty Being the Chronicles of Abby Normal: Dark and Mysterious Goddess of Forbidden Love Don’t judge me. I have looked death in the face and made him my bitch! I did what I did out of love, and I don’t want to sound conceited, but OMG, we are heroes! And when I say we, I mean us. Had I told you before, you would have called me â€Å"losah!† pronounced me perky and cute beyond redemption, but now that I am secure in my own nefarious love lair and whatnot, I can at last confess, that in my naive youth, my favorite literary character was not the tentacled horror Cthulu from Lovecraft as I previously stated in AP English 235, but, in fact, Pippi Longstocking. Before you condemn me for my Pippism, check it out: Pippi drank a lot of coffee. (Because, like me, she was wise.) Pippi had unnaturally red hair (as I, myself have had, upon occasion). Pippi often wore long, stripy socks (as yours truly has been known to do). Pippi had superhuman strength. (It could happen.) Pippi kicked ass. (Not unlike your humble narrator.) Pippi was a kid who lived without parents in her own house. (Go, girl!) With a monkey. (Haven’t you always wanted a monkey?) What Longstockings did not have, was the coolest cyber-ninja-sex-magic boyfriend to ever save the world and whatnot. (Props to Pip, but girlfriend needed some yang to rock her yin.) Steve. My darling, my love, My heart is aflame But OMFG, Steve, I grieve, That you’re name Is so fucking lame. I call him Foo Dog, because he guards the gate of my temple, if you know what I mean. I’m wearing the jacket he made me right now. I had it on when they came for me, but that’s not the thing. The thing is, I didn’t save myself, I saved love. So, that night, after I told the Countess how my sweet Foo Dog saved me from the vampyre, the Countess said she was going to go back to the loft to get some money and feed Chet and get the last of William’s blood for Lord Flood, for their love is truly eternal. And Jared and I were like, â€Å"We’ll go, too,† but the Countess sent us back to liberate the vampyre Flood from Jared’s basement and his hideous family. So we were all, â€Å"Well, okay.† But when we got to Jared’s house, Flood was totally gone. And then Steve – I mean Foo Dog – called me and he was all, â€Å"I’m getting off work early, I don’t want to leave you out there unprotected.† So I told him where we were. Then Lord Flood comes walking out of the dark and he’s all, â€Å"What? What? What?† And I’m all, â€Å"The Countess went back to the loft.† And he’s all, â€Å"She is in danger. We must away.† And I was like, â€Å"Chill thee thus, for my sweet love-ninja is on the way in his fly ride.† So Flood was like, † ‘Kay.† I see now that my attraction to the vampyre Flood was nothing more than childish infatuation, never to be requited, because he had eyes only for the Countess. So it was a little awkward when Steve showed up and I had to chill the Lord Flood and make him sit in the backseat to show that my real affections were with Foo Dog, who was formerly known as Steve. And when we got to the loft, the windows were open, but there were no lights on. And Flood had us drive a block past, then we got out and he walked back. Then he runs up and he’s like, â€Å"Elijah’s up there. He’s got her.† And I’m all, â€Å"Then go get her.† And Steve is like, â€Å"No, I’ll go get her.† And he pulls this long coat out of the trunk. It’s all covered with warts or something, and I’m like, â€Å"Nice coat, but you know, vampyre†¦Ã¢â‚¬  And Steve is like, â€Å"They’re UV LEDs. Like the lights we burned the vampires with before.† And I’m like, â€Å"Sweet!† So Steve starts to put the coat on and Flood stops him and goes, â€Å"He’ll hear you coming up the stairs. I’ll go.† And Steve is all, â€Å"You can’t. It will burn you, too.† And Flood is all, â€Å"No it won’t.† So they are like five minutes behind the car putting together this ber-cool ensem of like an old gas mask, and a hoodie, and full-on gloves and everything, until Flood is totally covered, wearing the long coat with the glass warts all over it, looking like one of the cenobites from Hellraiser. And Steve is like, â€Å"Don’t hit the switch until you know she’s covered.† And he hands Flood like a black rubber tarp and a baseball bat, which totally sucked the cool right out of the ensem, but I guess was necessary. Then, just when I’m about to ask how he’s going to get in without being heard, we hear the Countess scream, and Flood runs across the street and about halfway up the side of the building, then turns and runs down it, then across the street, up the side of his building, and goes through the window feet fucking first. And I’m like, â€Å"Whoa.† And Steve and Jared are like, â€Å"Whoa.† And a second later we hear a thumping, and purple light comes on in the loft windows and the old vampyre comes crashing through the windows on fucking fire, falling like a comet! And he lands on his feet in the middle of the street, hisses once and looks at us, and that’s when Steve holds up one of his UV floodlights, and the vampyre fucking scrams down the alley across the street so fast that he was just a blur. Next thing, Flood is coming out of the building carrying the Countess, who is wrapped in the black rubber tarp and is totally roofied like a limp rag. And Steve’s all, â€Å"Get her in the car.† And I’m like, â€Å"Did you feed Chet?† And Jared is like, â€Å"Hello, Abby, the other vampyres.† So I’m like, â€Å"Shut up. I know.† So we all piled into Steve’s car and we took Flood and the Countess to a hotel off up on Van Ness, which Steve paid for with his Visa, which was generous and mature of him. It was one of those motels where you have your own entrance to the parking lot so they don’t see you in the hallway, so Flood carried the Countess up to the room, and we carried some stuff that Steve had packed up in the trunk of his car. It was so sad. Flood just stroked the Countess’s cheek and tried to get her to wake up, but she wouldn’t. And he was all, â€Å"Abby, she needs to feed. I wouldn’t ask, but he’s done something to her, she’s hurt.† And I would have totally done it, but Steve pulled me back, and he picks up this playmate cooler that he had us bring up, and he pulls out these pouches of blood. And he hands them to Flood and says, â€Å"I took them from the university hospital. They could kick me out of school for this.† And Flood is all, â€Å"Thanks.† And he bites a hole in one of the pouches and squeezes it on the Countess’s lips and that’s when I started to cry. There were like four pouches, and when he was going for the last one, Steve was like, â€Å"You need to drink that one.† And Flood was like, â€Å"No way, it’s for her.† And Steve was like, â€Å"You know you do.† So Flood like nodded and drank the last one himself, and then he just sat there by her, stroking her hair. Then Steve was like, â€Å"Tommy, you know I can reverse your vampirism. I’m pretty sure the process works.† And Flood just looked at him and nodded. It was so sad. And then the Countess started to moan, and she opened her eyes and she saw the vampyre Flood and she was all, â€Å"Hey, baby.† Just like that. And I started crying again like a big wuss and Steve took Jared and me out to the car to give them some space. And Steve was like, â€Å"I made this for you from my jacket.† And he put this leather motorcycle jacket on me that was covered with those glass LED thingies. It was kinda heavy, because there were batteries built into the padding, but cool. And he was all, â€Å"This will keep you safe. The switch is in the snap on the left cuff. Just squeeze it and the lights will come on. They won’t hurt you, but you should wear sunglasses to protect your retinas.† Then he put a pair of totally cyber wraparound sunglasses on me and kissed me. And I kissed him back, hard, with major tongue, and finally he pulled away, as gentle as a butterfly. So then I slapped him, so he wouldn’t think I was a slut. But so he wouldn’t think I was being frigid, I sort of jumped on him and wrapped my legs around him and sort of accidentally rode him to the ground and was accidentally kind of dry-humping him on the pavement when the lights on my jacket came on and people looked out their hotel windows and whatnot, so Jared ended our special romantic moment by hitting my light switch and dragging me off. And I was all, â€Å"You are THE MAN, Foo!† And he was all, â€Å"Huh?† Because I hadn’t told him yet that his new name was Foo Dog. But then he said he actually had to get home and check in or his parents would freak out. And said to watch the masters until I got back, if I got a chance try to talk them into being converted. So we made out on the hood of the Honda for a while and he drove off into night’s cold loneliness like the superhero that he is. (The effect was ruined, kind of, in that Jared caught a ride with him.) So I went back upstairs and sat at the foot of the masters’ bed, keeping guard and listening to them. They were talking softly, but I could hear them. The vampyre Flood was all, â€Å"Maybe we should give it a try.† And the Countess was all, â€Å"What, the cure? Tommy, it can’t work. You’ve seen what I can do, you know what you can do. This isn’t biology, this is magic.† â€Å"Maybe it’s not. Maybe it’s science we don’t know yet.† â€Å"It doesn’t matter. We don’t even know if it works.† â€Å"We should try.† â€Å"Why would we try, Tommy? You’ve only been immortal for a couple of weeks. Do you want to give up the power, the – I don’t know – the command over your world?† â€Å"Well – yes.† â€Å"You do?† â€Å"Yeah. I don’t like it, Jody. I don’t like being afraid all the time. I don’t like being alone. I don’t like being a killer.† â€Å"That woman was torturing you, Tommy. That’s never going to happen again.† â€Å"That’s wasn’t the problem. I’d get over her. The problem was that I liked it. I liked it.† Then the Countess was quiet for a while, and I thought it might be dawn or something, but I peeked over the edge of the bed and she was just staring into his eyes. She looked over at me. â€Å"Hey, girlie girl,† the Countess said, and she smiled at me and it felt like a gift or something. It was like, real. Then she took her watch off and threw it to me at the end of the bed. â€Å"That has an automatic almanac in it – how about you set the alarm to go off about twenty minutes before sunset, so you don’t get caught out again, okay?† And I was going to tell her about the jacket that Foo made for me, but I kind of couldn’t talk, so I just nodded and put the watch on and slid back down to the floor. Then I heard the Countess go, â€Å"You aren’t alone. I’m here. We can go where no one knows us, no one is chasing us, and I’ll always be here for you.† And he goes, â€Å"I know. I mean alone from everyone else. Separate. I want to be human, not some foul dead thing.† â€Å"I thought you wanted to be special.† â€Å"I do, but I want to be human special – because of something I did.† Then it was quiet for a while, and finally the Countess goes, â€Å"I love it, Tommy. I’m not afraid all the time like you; just the opposite. I didn’t realize how afraid I used to be until I became like this. I like walking the street knowing that I’m the Alpha animal, hearing and seeing and smelling everything, being part of everything. I like it. I wanted to share that with you.† â€Å"It’s okay. You couldn’t have known.† â€Å"I don’t want to be alone either. That’s why I turned you. I love you.† Then the alarm went off on Lord Flood’s watch, and he shut it off. Then he’s all, â€Å"We can’t go back to the way it was, before, I mean? Where I look after you?† â€Å"It’s not the same world, Tommy. You know that now. We were in the same room in different worlds.† â€Å"Okay then. I love you, Jody.† â€Å"I love you, too,† goes the Countess. Then they didn’t say anything for a long time, and when my new watch showed that the sun was up, I looked, and they were lying there, holding each other, and I could see the red stains on the pillow from their tears. And I was like, â€Å"Oh, hell no!† How to cite You Suck: A Love Story Chapter 29~30, Essay examples

Monday, May 4, 2020

A New Purpose free essay sample

For fifteen years I was a heron flying through a simple life. The other aquatic world was a void, whose surface I merely skimmed. It was not until all my emotions and thoughts were solidified that I knew I must go deeper. Stuck between the boundary of water and land, I needed to be a fish. With my arrogance, I created a false identity of being a liberal. I endorsed the Democratic Party, opposed Operation Iraqi Freedom, and voiced my concerns about the struggle of the lower class. However, saying I knew meant nothing. I didn’t need to know, I needed to feel. I needed to grasp the hunger, the exhaustion, and the repression. Without sensing others’ misery, I did not know what I stood for. Gustavo proved how unsound I was with my beliefs. It was during a phone conversation he asked, â€Å"Do you know what bisexual is?† Well of course I did, was he kidding? He then added, â€Å"Well, that’s what I am. We will write a custom essay sample on A New Purpose or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page † Mind racing, I thought I would never be able to look him in the eye again; we would never act the same. And now I am not who I claim to be; my soul isn’t accepting nor compassionate. I’ve lied about everything I’ve stood for. I wanted to tell him it was okay, but I knew that was another lie. Even worse, I was only thinking about how this affected me. Gustavo explained how he became an outcast with his Spanish-speaking friends, how his sister ridiculed him, and how he would not be accepted as a son if his parents were to discover his secret. All the while, I could only think about how I really was homophobic, about how I really was selfish. Crying is something that males typically avoid, and it was no different with close friends like Gustavo. However, it was when his speech was interrupted with the onset of tears I found what I needed. Unfamiliar with this type of situation, all I could do was listen. Upon hearing his physical agony, the wails I rarely h eard from another male, I could finally feel. I heard his sister, Maria, laughing at him; I saw his friends at school avoiding him; and I perceived Gustavo trying to escape the ropes of social acceptance he was tied to. At that moment my blindness ended and I saw the world for what it was. All those news stories finally had meaning. Murder, suicide bombings, car accidents –those were no longer everyday words but rather representations of a suffering far greater than Gustavo’s. The emergence of sensitivity showed how imperfect everything was. While my revelation was pessimistic, it provided hope. Now, with the barrier separating vagueness and astuteness eradicated, I could be that liberal, but with a true purpose. I will continue submerging into the water of awareness. There are boundaries though; maybe a heron is not meant to be fish, but if I die in the process, my drowning will be my life’s fulfillment.

Friday, March 27, 2020

Hamlet Classics Essays - Characters In Hamlet, Hamlet, To Be

Hamlet Classics Hamlet's classsic "To be or not to be..."(Hamlet, prince of Denmark, 3.1.57) speech really shows who he is. Obviously Hamlet is horribly depressed. We have already seen several examples of this, but this speech gives us a clear picture of his sadness. More importantly however, his speech shows his weakness and indecisiveness. Hamlet is consistently melancholy, but he never really acts on it; he just kind of wallows around, full of self-pity and loathing. Finally, it gives us Hamlet's reason for not committing suicide. Throughout the play he seems to wish for death and here we find out why he doesn't bring it on himself. This also gives us a window into his personality. This speech provides us with a clear understanding of Hamlet and his motivations. Hamlet is seriously in need of some Prozac. He says in this speech, flat out: "To die, to sleep-..'Tis a consumation devoutly to be wished."(3.1.69-72). He feels that his troubles and his heartache are to to much to deal with. While this speech is not the first time he has mentioned suicide, it does give the clearest picture of just how far gone he is. He seems to be weary of life, as he consistently says "to sleep" while refering to death. As though he only wishes to rest and forget his troubled soul. We see here for the first time why he wants to die. It is not that he feels there is too much pain or strife in life, but that he is tired with dealing with it and exausted by his efforts. Hamlet says in this speech, in as plain of language as he can, that he is depressed and wants to die. But, he has said that before. This speech gives us our first clear indication as to his reason for craving death. More interestingly, Hamlet shows here his fundamental cowardice and fear. He has been going on for the whole play about how terrible his life is and how much pain and suffering he has had to endure, and he starts out the speech on this note. This is the first indication of his weakness. Hamlet it seems would rather bemoan his troubles than solve them. He goes on and on about his crappy life but rarely, if ever, even tries to do anything about it. Even in his desire for death he will speak but not act. He has wished for ceath at least ten times during the play, but when it comes right down to it Hamlet is to scared to act on his desire. He doesn't decide against suicide because of some noble realization (that life is far to precious to be wasted for example), he is just too scared of the afterlife. Hamlet, in the play up to this point, claims to be in dire straits but his paralyzing fear keeps him from action. He would rather suffer with his situation for fear that his actions to make it better would make it worse: "And makes us rather bear those ills we have than fly to others that we know not of"(3.1.82-83). Hamlet's motivation for wanting to die and also for remaining alive gives some of the best insight into his personality. In this speech Hamlet elects not to kill himself and discovers why he has not yet done it. Hamlet is a very seriously disturbed, depressed guy. He says clearly that he is in great pain but more than that he is weary of his life and that is why he wants to die. He has grown tired of the day to day struggle to survive and that, not his problems themselves is why he desires death. His reason for choosing life over death is also shown here. He is too afraid of the unknown, of the "undiscovered country" (3.1.80) to act on his desire. Perhaps this second reason is a result of the first? It is not so much that he is afraid to act, just that he has become so despondant that he doesn't really care enough to do anything. This speech, especially the reasons it defines for his desires and actions, shows us what goes on inside Hamlet's head. It shows us why he wants to die and also why he chooses to remain alive. The process behind these desires defines Hamlet and allows us to make generalizations about his motivations. All of his actions thoughout the play, up through the end of the story, can be viewed as a consequence of

Saturday, March 7, 2020

gender in lit essays

gender in lit essays Men Fix Things...Girls Have Dolls I have thought about many different ways to organize this paper and have come to the conclusion that the best way to approach the topic is on a book-by-book basis. My perceptions of the gender biases in these books vary greatly and I did not want to begin altering my views on each so that they would fit into certain contrived connections. What interests me most in these stories is how the authors utilize certain characters within their given environment. Their instincts and reactions are a wonderful window into how the authors perceive these people would interact with their surroundings and often are either rewarded or punished by the author through consequences in the plot for their responses. Through this means we can see how the authors expect their characters to behave in relation to their post in the world. We must be very careful as readers to judge these biases based only on evidence within the text and not invent them from our own psyche due to the individual world we know. In Louis Sachars award winning book Holes, we see gender biases in many characters. The first and most obvious bias in this book can be found in the way Sachars characters address Mr. Pendanski, one of the staff members at Camp Green Lake. Many of the boys refer to him sarcastically as mom, and it is not because of his loving nature. Mr. Pendanski is neurotic about things the boys consider trivial and he has a tendency to nag them. Because Mr. Pendanski is portrayed as the antithesis of Mr. Sir, who simply drips testosterone, others view him as a female for his weakness. The fact that Sachar allows his characters to equate weakness with femininity, or more accurately motherhood, shows a certain bias towards the supposed strength that innately accompanies masculinity. This attitude is only furthered by the fact that the rest of the book as almost totally ...

Wednesday, February 19, 2020

Revelation by Flannery O'Connor Essay Example | Topics and Well Written Essays - 500 words

Revelation by Flannery O'Connor - Essay Example Additionally, the Christian nature of Mrs. Turpin expects her to be a caring people, but real Mrs. Turpin is someone who cares only for herself. To this extent, she is expected to show some concern to Mary Grace due to her health condition. On the contrary, the real Mrs. Turpin shows a high degree of inconsistency with her Christian faith. This is well illustrated when she asks Mary what she thought she was. Moreover, through Mary, Mrs. Turpin is reflected a naturally self-absorbed person. Instead of showing some concern on the health condition of the girl, Mrs. Turpin only recognizes the attitude and actions of Mary Grace towards her. The first turning point is when Mary Grace challenges Mrs. Turpin’s ability to communicate with God or God’s message and asks her to go to hell. At this point, Mrs. Turpin shouts the name of Jesus; Mary’s eyes got violent. As the conversation continued, Mary Grace began to lose patience with Mrs. Turpin and her mother. She suddenly slams her book shut and looked at Mrs. Turpin violently. Mary Grace’s eye is compared to an unnatural light that is lights night road signs. The comparison of road signs in the night is a reflection the ability of Mary Grace to send some guiding revelation message to Mrs. Turpin. At this time, Mrs. Turpin how it is useless to help people like the white trash woman. Her mind ransacks of this issue, Mary’s eyes are still glued at her, and they reflected some agency of some actions lingering in her mind. Immediately, Mary’s eyes stopped rolling and focused on Mrs. Turpin. They were now much brighter than before. Mary Grace’s eyes are just compared with a tightly closed door that has opened to admit air and light. Nonetheless, the openness described in Mary Grace’s eyes allows Mrs. Turpin to realize that there was a need for relation. This encounter and Mary’s action and reaction to Mrs. Turpin are a turning point in Mrs. Turpin’s life since it goes

Tuesday, February 4, 2020

SWOT Analysis Essay Example | Topics and Well Written Essays - 750 words - 3

SWOT Analysis - Essay Example It is done, to maintain a very good relationship with the patients so as to retain them for longer period of time. It might prove effective for the organization of Mayo clinic so as to enhance its reputation and demand in the market among others. High brand image- the news paper of United States described the organization of Mayo Clinic as a provider of integrated care services to its patients. As a result of which, the patients are extremely satisfied and pleased with the services of the hospital resulting in amplification of its position and market share among other contenders. Along with this, it might also prove effective in amplifying its reputation and patient base in future era thereby reducing the fear of new entrants. Large presence- the organization of Mayo Clinic is also present in three major metropolitan locations such as Rochester (Minnesota), Jacksonville (Florida), and Phoenix (Arizona). Therefore, due to the presence of the organization of Mayo Clinic in various locations, the patients might very easily reach it to attain varied types of services at an effective cost among others. Huge employees- the organization of Mayo Clinic also comprises of huge range of employees so as to offer value-added services to its patients. And this might help the organization to enhance its image and market share among other rival players. Competitive cost- the organization of Mayo Clinic also offers varied types of services to its patients at a quite effective cost. This acted as one of the most important strength for the organization of Mayo Clinic among others. Less number of doctors- the organization of Mayo Clinic fails to offer varied types of medical practitioners to its patients at appropriate time-period and so, a huge range of patients gets dissatisfied. This hinders the reputation and market value of the