Fyodor Dostoevsky (1821-1881) PART#2 Criticisms and Interpretations I. By Emile Melchior, Vicomte de Vogüé

THE SUBJECT is very simple. A homophile conceives the idea of committing a crime; he matures it, commits the deed, defends himself for some time from being arrested, and ultimately gives himself up to the expiation of it. For once, this Russian artist has adopted the European idea of unity of action; the drama, purely psychological, is made up of the combat between the man and his own jump. The accessory characters and facts ar of no consequence, except in regard to this influence upon the savages images. The showtime part, in which are described the birth and growth of the miserable idea, is written with consummate skill and a truth and righteousness of analysis beyond all praise. The student Raskolnikov, a anarchist in the true sense of the word, intelligent, unprincipled, unscrupulous, reduced to extreme poverty, dreams of a happier condition. On returning home from going to pawn a jewel at an old pawnbrokers shop, this vague thought crosses his productive thinker without his attaching much importance to it: 1 An intelligent man who had that old womans specie could accomplish anything he deald; it is lone(prenominal) necessary to micturate rid of the useless, hateful old hag.

2 This was but one of those fugitive thoughts which cross the brain like a nightmare, and which only shoot a distinct from by dint of the assent of the will. This idea becomes rigid in the mans brain, growing and change magnitude on every page, until he is perfectly possessed by it. Every hard work through of his outward invigoration appears to him to bear some relation to his project; and by a mysterious power of reasoning, to work into his plan and urge h! im on to the crime. The influence exercised upon this man is brought out into much(prenominal) distinct relief that it seems to... If you lack to get a panoptic essay, order it on our website: BestEssayCheap.com

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